If you ever chat with someone who declares that environment conscious architecture can’t be a beacon of bold, colourful design, direct them to the Pixel building in Melbourne, Australia. The country’s first carbon neutral office building of its kind has impressive green credentials (read about them here) and manages to be a stunning symphony of form and colour. The facet-shaped “wings” are just beautiful and the colour palette feels like it was plucked from an Australian bloom (perhaps a pincushion or protea?) Overall, it is a building bursting with colour and, I imagine, infectious energy. I love that such a technically advanced building doesn’t have to be stainless steel to be sleek, modern and simply gorgeous.

(photography by ben hosking via weheart)

You may have seen the fantastic imagery of Ikea’s cookbook Hembakat Är Bäst created by brilliant photographer Carl Kleiner and stylist Evelina Bratell last year. The way the ingredients were presented in such modern blocks of colour was just sublime. What a way to imagine the components of cooking. The talented duo is back with another a strong overhead series focused on Ikea’s kitchenware. It’s a unique way to represent products and showcases the clean, uncluttered lines of Ikea’s aesthetic. I don’t know about you but I can see some strange faces emerging in those piles of plates and utensils… (p.s. I posted a couple of the original Ikea ingredient shots because, well, they are beautiful. I hope that prints are sold one day as they would look awesome on a kitchen wall!)

Colourful, handcrafted typography seems to be my obsession lately and these gelatin letters by m-inspira, a pair of designers from Valencia, Spain, showcase why it is such a fantastic facet of the design world. I’m thinking wiggly, jiggly and good design should go together more often…

(spotted on moco loco)

One of my very favourite food blogs is Matt Bites. Matt Armendariz is ridiculously multi-talented in the areas of culinary creation, food photography, styling and general design flair. The recipes Matt features are always drool-inducing and the photography? Well, it makes you want to pop through the screen and live in Matt’s world of fabulously styled cuisine. Matt’s latest post focuses on Winter Citrus and the images are full of crisp shades of yellow, green and orange. I love this citrus peel title Matt created and its handsomely handcrafted typography. Maybe citrus colours are the perfect anecdote to a grey January?

This joyful video is making plenty of news today and for good reason. It is a happy maker! A few months ago, I posted a stop-motion video by Canadian designers Lisa Blonder Ohlenkamp and Sean Ohlenkamp featuring a colourful bookshelf re-organization. Well, the talented pair took things to the next level in their latest piece, “The Joy of Books”. With the setting of Type bookstore in Toronto and a whimsical score composed by Grayson Matthews, Sean and Lisa (and many volunteers) spent sleepless nights turning the shop into a truly magical world. I love the patterns and colours of flickering book spines, the two dancing book covers and the ending when all of the supplies pop back into their spots. I couldn’t agree with the last frame more – ”there is nothing like a real book”. I just know this is what shops do while we are sleeping…

(thanks Jen and Catriana!)

Until last week, I had no idea what the Department of Philosophy building at New York University looked like. When I came across an image while doing research, I was stunned. Jaw-dropped, eyes insanely large, stunned. How was this done four years ago but I had never seen it? Good Lord. While the exterior of the 1890 corner building is protected and thus remains untouched, Steven Holl Architects did a complete 30,000 square foot interior renovation. The concept “organizes the new spaces around light and phenomenal properties of materials” and it is hard to see the space as anything but enlightening. The skylight and 6-level stair shaft are awash in beautiful shapes and constantly change with the seasonal light. The upper level floors feature “different shades and textures of black and white, according to the texts in Ludwig Wittgenstein’s book ‘Remarks on Colour’“. Oh and those flickers of rainbow on the gorgeous textures of rich white? Prismatic film was installed on some of the stairwell windows which allowed sunlight to occasionally place a piece of rainbow onto the clean interior. It feels modern, spiritual and simply peaceful. Can you think of a better place to ponder philosophy? Easily one of the most beautiful pieces of interior designs I have laid eyes on and so very perfect for its subject. Hmm, time to google NYU philosophy program applications…

(all images © andy ryan via steven holl architects, dezeen and architizer)

From updating the traditional open/closed sign to picking a new photo styling look, there are so many elements to retail design that are inspiring and full of possibilities. As it is the New Year, it is the perfect time to update your retail or personal branding and design. Or just ponder some shop and design eye candy! I wrote a post on Rena Tom’s blog on some unique facets of retail design plump with inspiring images so take a look if you are interested. If possible, writing it has made me dream of creating a shop even more…

(images via portland garment factory, stilleben, is creative studio, magpie studio, joanna reutter, september industry, behance, the dieline and iiiinspired)

I love great wayfinding and signage design. The Tate Modern visitor maps and dispenser by London design studio Cartlidge Levene is an example of simple but pitch perfect wayfinding. Maps are vital tools in a gallery and in a space as expansive and visually stimulating as the Tate Modern, it would be easy for a display to get lost. A large clunky dispenser or oversize typography would be a distracting eyesore especially for an iconic gallery. What I love about Cartlidge Levene’s design is not only its strong looks but how it showcases the vital role of colour in wayfinding and design overall. The neon pink is essential in catching the eye of visitors as the hue vibrates off the black background. Instead of displaying hundreds of maps, the five columns of maps are carefully and handsomely placed at one end of the black dispenser. Even the integration of the cash box is great with its subtle rectangular shape and small £1 typography. This piece is an example of how even the most functional item can be be on-brand and very beautiful.

You know traditional letter banners that often appear at birthday parties and other standard occasions? The static wording means the sad banner must be tucked away until an event it fits comes along. But wait, Make Your Own Banner from The Pippa & Ike Show comes with 83 letters so you can put up a banner for any reason under the sun and even personalize it with a name. I love how this flexible banner can make any regular day a reason to celebrate. Why shouldn’t you festoon the small victories of life? Love the colour palette of black, fuchsia, light blue, lemon yellow, green and light pink too. Yep, this banner is an instant party in a box. Just add cake and sparkling beverages…

Happy New Year to all my colour-loving friends! My apologies for the unexpected spotty posting over December. Time to get back in the colourful swing of things. While I am a bit sad the holidays are wrapped up, I am thrilled to be in 2012 – a fresh year sure to be full of evolution, inspiration gathering and lot’s of colour. January is the inevitable month of calendar selling and while there are lots of stylish and covetable versions out there, I love the 2012 Accordion Calendar by the very talented Erin Jang of Indigo Bunting. Always a sucker for an accordion fold, I also love the cozy colour palette and simple mix of hand-lettering and clean typography. Throw in some lovely packaging and I am smitten. There are lot’s of ornate and highly-patterned calendars filling shop shelves but this one reminds me of what I want 2012 to be – full of good design and limitless possibilities that can’t be contained by a standard datebook box. (you can buy Erin’s calendar here)

I admit it, I am slightly Christmas bonkers. It’s hard not to be inspired and full of joy in a season bursting with colour. One of my very favourite parts of the holidays is advent calendars. They are just so full of design possibilities from the traditional windowed illustration calendars to the most contemporary parcel-a-day designs. Advent calendars make the lead-up to Christmas special and full of anticipation while also creating some fantastic design avenues to explore. I could post a hundred photos but these are a few that have caught my eye over the last few weeks. A paper forest, a watercolour spectrum, an office window showcase – advent calendars are beautiful in their traditional meaning and ability to make the holidays even more magical.

As we open the final advent calendar window/parcel, I want to wish you (each and every person who kindly reads plenty of colour!) a very happy holiday season and all the very best in 2012. I can’t believe that I started this blog exactly 11 months ago today. I am beyond grateful for the tremendous support I have received from all over the world. I started this blog because I saw a void in colour-focused design blogs and was hoping to just toss some hue-filled inspiration onto the Internet and maybe get a handful of visitors. I had no idea I would meet so many colour-loving, creative and supportive people. All of your emails, tweets and support in general has been amazing. Creating/running this blog has been a dream come true and I am so thankful for all of you who pop by for a bit of colour inspiration. Thank you. There are some changes on the horizon so expect bigger, better and more colourful things in 2012! – Chloé

(images via snug., fry dog design, inspiration overdose, snug., brigg, style cookie, anthology, griottes, a simple nest, happy mundane, house to home, the marion house book, creative review, cirkus, sheenalu, a few things from my life, country living, brigitte, ohdeedoh, french by design and the eclectic life)

I love these Crayon Rocks, available in 16 colours and made from non-toxic soy/beeswax tinted with natural mineral powders. In addition to being handsome nuggets of design, they actually develop children’s motor skills and allow for a better grip. They have a magic bean feeling, don’t you think?

Seeing these images of Toy Atlas Rainbow by artist David T. Waller on Colossal this morning made me want to run to the nearest antique store and look for intriguing shades of vintage cars. The rainbow installation features 2,500 old toy cars and showcases some lovely vintage paint hues. They say blue sells and that seems more than true in the toy car world! I am fascinated by the gradient of hues in the close-up shot as well as the small but mighty purple and pink centre. Explain to me again why real cars don’t come in such awesome colours?

(spotted on colossal via fasels suppe)

Artist Lee Baker used 10 thousand metres (or 32,808 feet) of colourful yarn to create his fascinating work ‘Refractive Monolith’. Commissioned by The Future Tense for its SPECTRA I exhibition, the piece utilizes the corner of the gallery to showcase vibrant acrylic strands pulling across a grey gradient pyramid and stylized graffiti-like clouds. A three dimensional reaction to his paintings, Baker explains the installation as the quest to use “vivid colour and extreme perspectives to ‘build’ fantastical meta-cities against a stormy backdrop of ashen clouds and pending darkness”. I love the up-close images of piles of yarn and how the strings intertwine to create different palettes from different perspectives. I imagine “Refractive Monolith” is one of those works of art that you see something new in upon each and every viewing. I would love to see Lee take this idea to the street and bring his grey illustration/bright yarn combination to urban art installation…

(thank you tabara!)
(images via lee baker and ma cup of t)

It’s that time of year when new calendars and agendas fill shops and blogs. Sure, they are helpful tools of organization but I like calendars mostly for their design possibilities. The Cut Out Number Calendars at Present & Correct are so simple but oh so elegant with their thick paper board, cut-out design and contrasting primary or netural hues. While I would gladly hang these handsome devils above my desk, I almost like them more in a stack. There is just something about that jumble of overlapping numbers that makes me happy…

How awesome is that long shot of a studio desk? Thin slices of Mac computers, handwritten notes, strange snacks and Pantone guides – it’s design studio heaven. Oneighty Creative, a design studio in the UK, directed a series of shots in the hopes of “unveiling the process” of creativity and brand creation to their clients (as well as a piece of self-promotion). Photographed beautifully by Adrian Ray, I think that fantastic long photograph and the additional images more than capture the process, tools, steps and overall beauty of studio life. There is no design key on computers! Oh and Oneighty had a great description of the shot and goal: “[a] visualised physical timeline of our brand process which creates a sort of mad hatter’s tea party feel”. I really love seeing the desks and studios of creatives so I can only dream that this overhead photography approach to those spaces becomes an entire book one day…