I have a thing for design and art pencils (showcased via three overflowing bins on my desk). Anthropologie is full of some great examples at the moment including the Color Sheen Pencil Set, Fluorescent Pencil Set, Mechanical Color Pencil Set and Banderole Pencil Set (nice lokta paper). Yep, I might “need” those beautiful metallic colour pencils…

(photographs via anthropologie)   

A fluttering swirl of origami butterflies, I love this fusion of design installation and styling by Elixr and Dream Interiors. Created for annual design event Saturday in Design, the butterflies make a striking piece of art but also highlight the clean lines of Dream Interiors’ white furniture collection and Kiki K’s storage boxes. Neutral yet lushly vibrant, it’s a match made in styling heaven…

(photographs by adrian koh, via elixr and ad week)

The portfolio of artists Ronnie Yarisal and Katja Kublitz is plump with wonderfully thought-provoking work but it was these sculptures that really caught my eye today. Both titled ‘Totem’, the structures are beautiful in their strong angles and mixture of colours. To me, the deeper meaning comes when one considers that totem poles often reflect extraordinary legends, notable figures, history, story and artistic beauty. Sounds like the perfect description of what lies between the covers of a book too…

(photographs via yarisal & kublitz; spotted via present & correct)  

The RGB Colorspace Atlas by artist Tauba Auerbach caught my attention earlier this year but after losing the link, I started to wonder if it was just a wonderful dream! In three 8″ x 8″ cubes, Auerbach showcases “all the colors in existence” and the entire RGB gradient across 3,632 pages. Each book is a different RGB scheme and each page is a frame of the colour palette (its creation aided by video animation). A digital offset print on paper, the striking cloth cover and page edges were airbrushed by Auerbach. The unique binding was co-designed by Auerbach and Daniel E. Kelm and bound by Kelm and Leah Hughes. I’m still trying to sort out how RGB colour would be printed accurately but regardless, the piece is a gorgeous piece of sculptural colour…

(photographs via daniel e. kelm, tauba auerbach and designboom)  

Monochromatic paper craft makes a beautiful backdrop for Cédric Ragot’s new Henri Mazelier collection. Focused on turning the pocketknife into a sculptural piece of dinner cutlery, I love the juxtaposition of delicate paper shapes and sharp blades. The use of just one colour creates dimension but makes the knives the stylish star of the photograph…

(spotted on trendland)   

Last year, I posted about designer Konstantin Datz’s gorgeous braille rubik’s cube and it remains one of my favourite pieces of thought-provoking design. I came across Konstantin’s folded paper typeface this morning and fell in love with the sharp angles. Featured on the cover of Web Designer magazine, there is a real modern paper craft meets origami feel…

(images via konstantin datz)  

Single Strip of Colour: I love this method of colour blocking books because it is subtle yet bold and looks smashing in neutral and colourful interiors alike.

Unique Colour Palettes: No need to follow the idea of making a rainbow. I prefer colour blocked bookshelves that use unique colour palettes including mixing soft hues with bright ones. In most interiors, it makes the look feel less forced and helps if you happen to have books in one particular colour family.

Gallery White Spaces: Colour blocked books can look incredible in all light interiors especially when the design follows an artful, gallery sensibility. You definitely can’t get away with many ratty books in this approach!

Dark backgrounds: Black, wood or neutral grey shades can make bold backgrounds for books organized by colour. I especially like that first image as it showcases how bright coloured books can look beautifully striking when mixed with many white spines.

Bring up the topic of colour blocked bookshelves with interior design-minded friends and you will find those who adore the look and those who hate it. Design critics can be especially snarky on the topic! Personally, I love it but understand that it can go into cheesy territory fairly quickly. I’ve been searching for images for a couple months that exemplify the colour blocking styles that I love –  a single strip of colour, unique palettes, white gallery settings and dark backgrounds. I find I like the rainbow look less often then a random but organized selection of hues. I particularly like when just a row of colourful books splash into an industrial space. Colour blocked books definitely colour me happy… What about you?

(photographs via the design files, the selby, design*sponge, trendland, decor8, apartment therapy, fjeldborg, easy living, hus & hem, design*sponge, better homes and gardens, the selby, one kings lane, heart home magazine, deco my place, seventeen doors, little green notebook, hus & hem, lonny magazine, terkultura, apartment therapy, yatzer, the design files, lovenordic and chotda)

Forget those manilla envelopes and sad cheap pens because colourful, unique and inspiring desk supplies are more abundant than ever before. Environmentally conscious, artful curated collections, indicative of design trends, integrated into branding – this shift is more of a revolution than flash-in-the-pan trend and I wrote a post for Rena Tom on this new niche of “fresh supplies”. Whether buying for a shop, creating a new product line or working a 9-5 somewhere, I think everyone is in need of colour and beautiful design in their work environment. Pop over to my post here if you fancy…

(images via blank goods, best made co., douglas + bec, moma store, best made co., brand new, here design and david galasse)

I love when designers and brands find a way to highlight their colour collections in an innovative way. Case in point: decorative plywood company Ichiro’s 2012-2013 catalog designed by the Irobe Design Institute. A gorgeous collection of nine mini-books, I love the scale of swatches and the way the hues are integrated into images that speak to their inspiration. Also fabulous? The Ichiro Japan Shop 2012 by Torafu Architects – a showcase space of prototypes and plyboard hues. I love the thought of a living, breathing swatch book customers can explore and hope more brands embrace a similar dedication to colour…

(spotted on spoon & tamago) and trendland)

These have to be among the most artful sticky notes I have ever come across. Available at Madewell, the collage-style Pansydaisy® for Top Hat sticky note two-packs come in eight different designs and are sure to bring sophisticated chaos to your next jotted note…

It feels like over the last few years, navy blue has gone from being considered stodgy and traditional to a true “new neutral” that is modernly mixed with many colours. This shift is the topic of my latest post for Rena Tom. Neons, tropicals, metallics, pastels – virtually any palette looks smashing with a dash of elegant deep blue. Remember when mixing navy blue and black was considered a faux pas? No longer. The pair looks like it will be a big trend this fall season and into the future. Yep, navy blue manages to mingle with any colour and is universally flattering and elegant. To read more, pop over to my post here.

(photographs via apartment therapy, linconnuedeindochine, we are twice, australian interior design awards, scotch and soda,  convoy, design sponge and anagrama)

Paper sampler books are always full of lovely swatches of colour but rarely gorgeous items of design themselves. I love this GF Smith’s sample book created by MadeThought to showcase the brand’s “iconic range of premium coloured papers and boards”. The tab cutting style reveals all 50 colours along the book’s edge and highlights the endless hue combinations possible. Oh and don’t even get me started on that sublime binding with multicolour stitches…

(photographs via september industry)

Logo-shaped paper clips, branded bubble wrap or pylons, innovative cake decorating – there are so many ways the little things create fabulous design and memorable retail. In my latest post for Rena Tom, I rounded up some inspiring images devoted to one of my favourite topics: “retail details”. I strongly believe it is mindful, creative details that turn good stores or brands into great ones. If you fancy, take a look at my post here.

(photographs via kledzik, i am baker, design you trust, jay mug, september industry and veronique)

I love photographs of workspaces particularly when they are covered in piles of creativity and yes, colour swatches. This behind-the-scenes shot of the Old Navy offices showcases the creative process of colour selection and forms a fun, punchy palette of Pantone chips…

(photograph via old navy behind-the-scenes pinterest board)

Check out this extraordinary piece by shadow artist Kumi Yamashita created for the American Express office lobby in Tribeca, New York. Kumi asked American Express employees to take a photo of their profile and selected 22 images for the wall installation. Using carefully creased origami paper and a single light source, she effectively sculpted shadow to reveal the profiles on the wall. The power of light, colour and paper never ceases to astound me…

(spotted on my modern met)

So technically, this is last week’s ‘palette of the week’. Whoops. Expect two featured colour combinations this week! I love the way brands and identities can be transformed to fit vastly different applications. This photograph by Heather David captures the bold pattern and colour of a Disneyland shopping bag from the 1960′s. How great is the abstract use of Mickey Mouse ears? Proof that great branding doesn’t need to shout to be wildly effective…

(photograph by heather david, spotted on present & correct’s pinterest)