Easter is a holiday bursting with happy hues. It’s rather impossible to resist all of the bright, spring fresh colours. I love these modern spins on Easter classic dyed eggs. Jessica from How About Orange made these beautiful Pantone eggs dyed to match their swatch book companions with names applied using temporary tattoo paper. Love them. I also pinned these CMYK Eggs by Martha Stewart a couple of weeks ago and love their vibrant, design-focused designs. I think the technical aspects of printing colour from CMYK to Pantone should be considered a top Easter 2012 trend!

(photographs via how about orange and martha stewart where further DIY instructions can be found)

TANGA-TANGA typeface by Velckro is definitely brightening up my morning. It’s as if petroglyphs and modern design had one awesome typographical baby. Love the subtle but artful shifts between upper and lowercase. I am particularly enamoured with the colour palette used to showcase the face – neons, pastels and neutrals on a midnight blue-purple background. Ah, summer brights and beautiful type…

While I do have a blog focused to colour, I still love white for its power, purity and ability to make colour look dazzling. I have been particularly enamoured with the recent trends devoted to exploring white in both classic and modern ways. White on White, Embellished, Textured, Dips of Metallics, Pops of Colour, Perforated – there has been no shortage of stunning new techniques and ideas devoted to white. I wrote a post on Rena Tom’s site on this topic so please take a look here if you are interested.

(images via minted condition, september industry, christian bird, de-construct, freedom of creation, design labyrinth, june eleven and nakam)

Look Books are an inspiring cornerstone of design and retail. I wrote a post for Rena Tom’s site about the various forms of look books, components to consider and some inspiring examples to ponder. I think look books have a life beyond their usual users (fashion) as many product lines and professionals can benefit from creating one. Whether as a beautiful printed piece or digital layout, there is no end to the value look books hold for a maker, collection or brand. Oh and they are often just plain awesome nuggets of design and photography! The styling of look books is one of my very favourite facets of design. If it interests you, take a look at the post here.

(photographs via jeff gros, studio brave, foundry studio, ferm living, castle, hem design and roandco)

I’m a big fan of bold branding and the recent trend of more flexible, customizable features like stickers, stamps and tape. The identity for Round Hill Music, a boutique music rights company with a catalogue including The Beatles, marries creative-focused detail with a slick, trustworthy corporate feel. New York studio Established NYC focused on the necessity of tape in so many facets of the music industry “from notes on a grand piano to markings on a recording studio’s mixing board to taping plectrums on the microphones during a live gig or damping snare drums”. Tape became not only the central logo feature but is used as an bold branding detail across the identity suite. It’s instantly recognizable (always the mission) and I love the mix of hot pink, silver foil and black and white. Elegant and artistic – the best combination possible…

(photographs/quote via september industry)

More4, a UK television channel, has a smashing new logo and identity that manages to be slick, modern, colourful and a bit magical. Yes, the combination is possible! London studio ManvsMachine focused on the channel’s core topics of design, fashion, style and interiors to create a vibrant colour palette, strong typography style and bold visual identity as a whole. I saw a static preview image of the logo in November and just loved it. However, with the launch of the complete identity yesterday, I am borderline intoxicated. The animation of the More4 logo moves sort of like flip-digits schedules once used at European train stations or perhaps like pieces of fabric, flickering television lights, fanning Pantone books, streamlined butterflies or tiny soft covered books? In collaboration with Jason Bruges Studio, the flip-digits were created by hand (see the making of video) and crafted into this gorgeous video. Magical, right? I love the idea that the channel infuses different locations and objects with dancing squares of colour. Yep, I could watch this video all day long. I know it is only January but I think I have found the one to beat in my “best identities of 2012″ list…

(p.s. if you are a fellow flip-digit lover, check out my posts on peter wegner and rebecca baumann)

(photographs via manvsmachine & weheart)

From updating the traditional open/closed sign to picking a new photo styling look, there are so many elements to retail design that are inspiring and full of possibilities. As it is the New Year, it is the perfect time to update your retail or personal branding and design. Or just ponder some shop and design eye candy! I wrote a post on Rena Tom’s blog on some unique facets of retail design plump with inspiring images so take a look if you are interested. If possible, writing it has made me dream of creating a shop even more…

(images via portland garment factory, stilleben, is creative studio, magpie studio, joanna reutter, september industry, behance, the dieline and iiiinspired)

I love great wayfinding and signage design. The Tate Modern visitor maps and dispenser by London design studio Cartlidge Levene is an example of simple but pitch perfect wayfinding. Maps are vital tools in a gallery and in a space as expansive and visually stimulating as the Tate Modern, it would be easy for a display to get lost. A large clunky dispenser or oversize typography would be a distracting eyesore especially for an iconic gallery. What I love about Cartlidge Levene’s design is not only its strong looks but how it showcases the vital role of colour in wayfinding and design overall. The neon pink is essential in catching the eye of visitors as the hue vibrates off the black background. Instead of displaying hundreds of maps, the five columns of maps are carefully and handsomely placed at one end of the black dispenser. Even the integration of the cash box is great with its subtle rectangular shape and small £1 typography. This piece is an example of how even the most functional item can be be on-brand and very beautiful.

Happy New Year to all my colour-loving friends! My apologies for the unexpected spotty posting over December. Time to get back in the colourful swing of things. While I am a bit sad the holidays are wrapped up, I am thrilled to be in 2012 – a fresh year sure to be full of evolution, inspiration gathering and lot’s of colour. January is the inevitable month of calendar selling and while there are lots of stylish and covetable versions out there, I love the 2012 Accordion Calendar by the very talented Erin Jang of Indigo Bunting. Always a sucker for an accordion fold, I also love the cozy colour palette and simple mix of hand-lettering and clean typography. Throw in some lovely packaging and I am smitten. There are lot’s of ornate and highly-patterned calendars filling shop shelves but this one reminds me of what I want 2012 to be – full of good design and limitless possibilities that can’t be contained by a standard datebook box. (you can buy Erin’s calendar here)

I admit it, I am slightly Christmas bonkers. It’s hard not to be inspired and full of joy in a season bursting with colour. One of my very favourite parts of the holidays is advent calendars. They are just so full of design possibilities from the traditional windowed illustration calendars to the most contemporary parcel-a-day designs. Advent calendars make the lead-up to Christmas special and full of anticipation while also creating some fantastic design avenues to explore. I could post a hundred photos but these are a few that have caught my eye over the last few weeks. A paper forest, a watercolour spectrum, an office window showcase – advent calendars are beautiful in their traditional meaning and ability to make the holidays even more magical.

As we open the final advent calendar window/parcel, I want to wish you (each and every person who kindly reads plenty of colour!) a very happy holiday season and all the very best in 2012. I can’t believe that I started this blog exactly 11 months ago today. I am beyond grateful for the tremendous support I have received from all over the world. I started this blog because I saw a void in colour-focused design blogs and was hoping to just toss some hue-filled inspiration onto the Internet and maybe get a handful of visitors. I had no idea I would meet so many colour-loving, creative and supportive people. All of your emails, tweets and support in general has been amazing. Creating/running this blog has been a dream come true and I am so thankful for all of you who pop by for a bit of colour inspiration. Thank you. There are some changes on the horizon so expect bigger, better and more colourful things in 2012! – Chloé

(images via snug., fry dog design, inspiration overdose, snug., brigg, style cookie, anthology, griottes, a simple nest, happy mundane, house to home, the marion house book, creative review, cirkus, sheenalu, a few things from my life, country living, brigitte, ohdeedoh, french by design and the eclectic life)

It’s that time of year when new calendars and agendas fill shops and blogs. Sure, they are helpful tools of organization but I like calendars mostly for their design possibilities. The Cut Out Number Calendars at Present & Correct are so simple but oh so elegant with their thick paper board, cut-out design and contrasting primary or netural hues. While I would gladly hang these handsome devils above my desk, I almost like them more in a stack. There is just something about that jumble of overlapping numbers that makes me happy…

How awesome is that long shot of a studio desk? Thin slices of Mac computers, handwritten notes, strange snacks and Pantone guides – it’s design studio heaven. Oneighty Creative, a design studio in the UK, directed a series of shots in the hopes of “unveiling the process” of creativity and brand creation to their clients (as well as a piece of self-promotion). Photographed beautifully by Adrian Ray, I think that fantastic long photograph and the additional images more than capture the process, tools, steps and overall beauty of studio life. There is no design key on computers! Oh and Oneighty had a great description of the shot and goal: “[a] visualised physical timeline of our brand process which creates a sort of mad hatter’s tea party feel”. I really love seeing the desks and studios of creatives so I can only dream that this overhead photography approach to those spaces becomes an entire book one day…

This is probably the longest I have gone without posting since I started plenty of colour 10 months ago! Some decidedly uncolourful things have sprung up but have no fear, I will be posting an avalanche of hue-filled items soon. There are few seasons as colour-inspiring as Christmas.

In the meantime and if you are interested in retail branding, take a peek at a post I wrote for Rena Tom’s website on the topic of gift certificates. So many shops and makers use boring plastic swipe cards or fill-in templates which is a missed creative and branding opportunity in my mind. There are a million small but impactful details that can make the buyer feel like their purchase is important to the seller and make the recipient feel like they got a really special gift. Oh and make your shop or company become a beacon of gift certificate attractiveness and fantastic branding! Take a look here if you are interested…

(images via hyperkit, boomkat, september industry, habit of art, present and correct, ncf studio, creature comforts, sweet paul, rie elise larsen and martha stewart)

Fogal is a Swiss fashion brand most famous for their high-end hosiery. Created in 1921 and now with stores around the world, the company’s legwear division features wildly diverse and fashion-forward styles and textures in over 70 colours. I’ve heard they make a great product but frankly, it’s the packaging I have loved for quite some time. The 1950′s/60′s feeling typography, vintage style and original logo are all fantastic but the colour palettes just make me giddy. A gorgeously vibrant collection of hues, the palette feels vintage but not stuffy. I especially love the borders of contrasting or complimentary colours. Yep, I wouldn’t mind keeping the entire collection on my desk as a perfect example of creating a big yet cohesive brand colour palette. Oh those colours would look just incredible in one big stack!

(photographs via the dieline and greedy girl)

Bottles, bags, crazy foil envelopes – there are a million types of packages and even more reasons to love their niche of design. Now more than ever, companies and designers are using minimal packaging so how do you get your brand across in an impactful and creative way? I wrote an article for Rena Tom’s site on that very topic so please take a look if you are interested. There are plenty of inspiring images if you are looking to brand your product or yourself!

(image via miss design and retail design blog)

Helmo is a great design studio from France and I recently came across some work they did in 2009 for the Sonorama Music Festival in Besancon, France. Th CMYK typography is fantastic and the black and white illustrations are playful yet modern. What a mix! I love the program and its rainbow of one-colour photographs. The wayfinding is my favourite though as it brings so much life to the streets and grey weather. If I had been at the festival, I probably would have walked away with all of the merchandise (and an illegally procured bus shelter or wayfinding poster!)