Maya Hayuk is an artist with talent in a ridiculous number of design areas from painting to photography to absolut vodka ads. I particularly love her murals/installations as they are bold pops of colour on otherwise mundane or uninspiring urban landscapes. Just imagine how dull that barn would be without Maya’s colourful addition! Her newest piece was created in Brazil and is a mural woven in fabric. Can’t wait to see this unique idea develop…
Olly Moss is a British designer and illustrator who you can add to my ‘obsessed with’ list. He has an obvious abundance of creative chops but it is his cleverness that never ceases to amaze me (case in point, his sea-saw illustration I posted about a couple of months ago). Olly just opened a solo show at Gallery 1988 in Los Angeles called ‘Paper Cuts’. The exhibit features over 350 laser-cut and hand-finished silhouettes of pop culture icons from the cast of Saved by the Bell or Seinfeld to animated Disney classics to Cliff Huxtable in one of his crazy sweaters. I love the juxtaposition of historical cameos with modern pop culture. A brilliant concept, six months of exquisitely detailed paper work and fantastic styling in vintage frames all add up to a spectacular show the is overflowing with Olly’s talent and cleverness.
I would love to go to lunch with artist Arthur Buxton as he looks at colour in a truly fascinating way (you may remember my post about his Van Gogh pie graphs.) His newest piece focuses on British Vogue magazine covers from 2001 to 2011. In reverse chronological order, from left to right, each block is a separate cover. Within each block, the strips of color that vary in width, represent the five most common colors proportionally found within that specific issue. The larger bands represent the years, starting in May and moving backwards. (If you’re like me, you will need to read those instructions a couple of times!) While there is the expected influence of skintones, it is interesting to see how similar the colours stay across soft tones, pinks and some fall hues. Even though a variety of colours became popular in each of those years, the covers don’t really deviate from a feminine palette. Other than two issues of blue, there is very little from the yellow, green, blue or purple colour families. I would love to see Arthur use this method in different eras. I imagine the 1960′s are full of vibrant powdery hues, the 1970′s are a blend of warm tones and the 1980′s are bursting with colour and neon. A really fascinating commentary on what colours are used to sell magazines.
Artist and designer Matt W. Moore has a portfolio overflowing with amazing projects ranging from fashion to typography to fine art. He is definitely one of my colour heros and I am a long-time fan of his inspired use of vivid colour and soulful geometry. I really could feature hundreds of images in this post! One area of Matt’s work I really love are his murals so I have focused on those above. Created all over the world, Matt’s murals add so much joy and design to whatever street is lucky enough to house them. The top image is of his newest piece in Cincinnati and it is yet another example of his incredible colour sense and creative talent.
When I saw these photographs of So Takahashi’s Origami Chair, I swear I was speechless for a good ten minutes. The folds of powder-coated sheet metal, the pin-thin back legs, the exquisite angles – this piece must rank among the most beautiful chairs ever created.
There are a million images by design director David Schwen that I love and this one is no different. I admire anyone that sees magic in the everyday and seeing an ice cream cone among construction pylons is pretty darn magical.
I seem to have a major embroidery fetish lately that is perhaps obvious from my posts about Jillian Tamaki and Takashi Iwasaki. In particular, I am mesmerized by embroidered and tactile typography which may have been sparked when I fell in love with the extraordinary talent of Maricor Maricar (read my post about their work here). I had some server issues when attempting to post this feature yesterday which only underlines that in an almost alarmingly digital dependant world, craftsmanship like the examples above feels even more special and vital to the world of design. Hoping you find some handmade type this weekend and it colours you happy!
I didn’t realize how much I wanted a chair made of neon until I saw these photos! Via a commission from Wallpaper* Magazine, London based Kiwi & Pom designed an illuminated furniture concept using 200 linear metres of Electroluminescent wire. The chair captures the very best of modern, futuristic design but also feels like it has a traditional woven soul. The piece has a pulse setting that allows the light to flash on and off creating what Kiwi & Pom call “an instant disco installation”. Fingers crossed a version of this incredible chair is available for purchase one day…
British talent Rob Ryan is one of my very favourite artists. What he creates out of paper, meticulously cutting intricate shapes, is truly phenomenal. On top of all that creativity, Rob has an amazing gift for beautifully poetic words. I plan to feature Rob Ryan in a future post devoted to his work but I couldn’t resist sharing his Royal Wedding commemorative plate design for William and Kate’s big day. What a welcome change from the wedding-cliche riddled commemorative designs I have seen around. I love how the traditional British lion and unicorn fuse seamlessly with Rob’s whimsical design and trademark birds/flowers. The gorgeous blue, white and gold accents are elegant, modern and so very British. As always, I particularly love Rob’s words as they are a perfect reminder of what all the hoopla should really boil down to at the end of the day:
“The Crown and the Throne and the lions and the unicorns & the bowing & scraping and all the Palaces and the privileges are worth nothing if you will not spend every day of your life with me until I die. April 29th 2011″
I seem to have a thing for punchy pastels this week. Perhaps because of all the spring colours floating around? The shots above by photographer Elle Moss are the definition of strong but ethereal hues. Elle has a fantastic colour sensibility and style that makes all of her photos feel dreamy. There is also this amazing vintage feeling to her work. It’s as if you suddenly discovered a colourful photo album from decades ago.
Paris-based Japanese patissier Sadaharu Aoki creates the most gorgeous confections that perfectly merge French tradition with Japanese design. From cakes to macaroons, his Paris and Tokyo shops are full of striking and edible pieces of art. I am particularly in love with Sadaharu Aoki’s “bonbon maquillage” or make-up candy. The rectangular, brightly-hued chocolates looks like pots of colour from an eyeshadow palette but are actually one of Aoki’s signature creations. The bonbons are filled with fondant that is infused with diverse range flavours including wasabi, caramel, matcha, coconut and raspberry. Forget reaching for the wrong chocolate or fumbling for the info sheet. Aoki streaks each bonbon with a strip of colour that not only creates a modern and handsome look but effectively “colour codes” each chocolate so you always end up with the confection you were hoping for. Visiting Patisserie Sadaharu Aoki in Tokyo or Paris is definitely on my to do list as I imagine the works of art are as delicious as they are exquisitely beautiful and colourful!
This has got to be the tiniest piece of street art ever. Artist Slinkachu, who is known for his small scale art, created this piece in a narrow alley of Grottaglie, Italy as part of the FAME Festival. From the details of the shutters and human forms to the perfectly aged balconies, the detail and intricacy of Slinkachu’s colourful clothesline is just plain unbelievable. One of the most magical and joyful pieces of street art I’ve ever come across.