Who says the neon colour family must always be distractingly bright? I love the soft, almost washed neon look used in this Las Palabras Pintadas branding by Buenos Aires designer Lucía Izco. Add in the perfect neutral brown/grey background, one tone photography and some fabulous typography? The recipe for print design that makes neon feel fresh and sophisticated…

(image via lucía izco/behance)

Dutch studio Raw Color has an exquisite eye for unique and memorable colour palettes. I love their identity for TextielMuseum and TextielLab and the wide palette created by using different intensities of five dusty bright hues and pops of neon. Cerulean blue and neon pink? Yes please! The typography is also beautiful as letters T, M and L overlap in varying opacities to create distinct colour combinations and overall patterns that mimic textile weaving. The opacities are turned up or down depending on if the lab or museum is the focus of the collateral. Entrance cards, stationery, stickers, publications, tea towels, building flags – the identity is wonderfully flexible and reflects modern textile patterns.

(image via raw color)

The neon trend doesn’t seem to be going anywhere and I am excited to see some diversity in the hues explored. Often, the term “neon” is focused on four or five colours but there is actually a wide spectrum to consider within the vibrant hue family. I love this old neon thread card on the design center at philadelphia university blog as it highlights just how many directions one colour (like “neon pink”) can go in…

(image via the design center at philadelphia university)

Product packaging is an essential part of retail design and is a fabulous resource for design inspiration. I love bold type placement and treatments, bright pops of colour, and collections that embrace a range of unique yet united typography.

Yes, I have a thing for retail exteriors and signage. One look I love lately is small but powerful typography. With strong contrasts or in handsome wee neon, the style can make an exterior look rather chic.

Old school hand-lettering, cursive neon, striking handwriting, creating words out of tile — typography based on hand-drawn type can look smashing in design and retail. Done right, it feels modern rather than trendy. I particularly love the craftsmanship it adds to any design. Seek out friends with magnificent penmanship!

I strongly dislike the typeface Papyrus. There, I said it. I get itchy when I see it and feel disturbed when companies, events and shops use typography derived from Microsoft Word to brand themselves. When it comes to telling the world who you are, why use a generic (and probably not design-focused) voice? Not only will you get lost in a sea of competitors also using “Word magic” but standing out in a stylish way becomes virtually impossible. In my latest post for Rena Tom, I showcase how great typography can make all the difference in the quest for memorable design and branding. While focused on retail, the need for fantastic typography is universal so the images hopefully inspire all type-related projects. Take a peek at my post here…

(packaging images via: ddmmyy, raw type, de-construct,cool hunting, lovely package, and slingshot coffee co.; small type images via new places to be, design*sponge, dezeen, and scout magazine; hand-drawn images via la potenza, trish papadakos, remodelista, kristen leigh, kinfolk, wallpaper and remodelista)

Modern neon, bright colour and strong typography — is there a better combination? The Melbourne Theatre Company utilizes all three elements in their 2013 season identity created by Interbrand. I love the custom typography called ‘MTC Neon” and its modern angles, glowing finish and nod to theatrical heritage. A glowing typeface could easily appear cheesy or fake in print but I think Interbrand does a smashing job of using the effect in an truly elegant way. Appearing on dark photographs and backgrounds, it allows titles and type to dramatically “light-up” different scenes (regardless of application). I particularly like the program covers as they highlight how the typeface could be used in photographed or physical 3D. Arts are an illuminating pillar in our society and here, Interbrand has crafted an identity that really captures that sentiment…

(spotted on and images via BP&O) 

Intriguing lights, mattress box spring inspiration boards, neon pink desks, pegboards, layers of design details…

Studios under the stairs or in attics, all white spaces with pops of colour, half walls of hue, huge blackboards, bins of supplies…

Supplies organized by colour in bins, shelves and stacks…

I really love studio spaces. Yep, I even have a Pinterest board devoted to them! How can you not love seeing the environments that inspire people, the supplies they use and all of the interior details that make a space one-of-a-kind? In my latest post for Rena Tom, I showcase studios and some of the facets that make them efficient and artful. Designer, accountant, candlestick maker — we all need a creative spot to call our own. Whether you build an entirely new studio or simply buy a desk chair you really love, the new year should include the creation of a space that truly inspires you. Take a peak at my post here if you are interested…

(images via/ first set:lovely shelter, desire to inspire, apartment therapy, smäm, remodelista, sf girl by bay; second set: practically modern, sf girl by bay, sa decor, vtwonen, fjeldborg, ikea family live; third set: the design files, martha stewart, i art u) 

HOT+TEA, also known as Eric Rieger, is an American street artist who uses vibrant yarn as his medium of choice. I love so many of his installations including this marvelous piece called Lost+Found. HOT+TEA spotted a vacant Minneapolis tennis court with no net for the locals to use (a lost space). He decided to create a net using nothing but neon yarn so the court could be returned to its original purpose (found). I love how it mixes vibrant art with something that enhances a community and brings people together…

(photographs via / screencaps created from a video on unurth )  

It feels like over the last few years, navy blue has gone from being considered stodgy and traditional to a true “new neutral” that is modernly mixed with many colours. This shift is the topic of my latest post for Rena Tom. Neons, tropicals, metallics, pastels – virtually any palette looks smashing with a dash of elegant deep blue. Remember when mixing navy blue and black was considered a faux pas? No longer. The pair looks like it will be a big trend this fall season and into the future. Yep, navy blue manages to mingle with any colour and is universally flattering and elegant. To read more, pop over to my post here.

(photographs via apartment therapy, linconnuedeindochine, we are twice, australian interior design awards, scotch and soda,  convoy, design sponge and anagrama)

I really do love every colour (except maybe beige) but I have always avoided traditional, yellow-toned pastels. But, the new love affair with sorbet hues has turned pastels in a more clear, modern direction. Sorbet hues are bright pastels and I just love the whole colour family (see my gushing article about them here). I also love these beautiful images by stylist Charlotte Lovey and photographer Jonathan Gooch as they showcase the brightness of sorbets and the way they work beautifully with dashes of white, neon and wood…

(photographs via charlotte lovey)

Yep, more proof I am obsessed with modern neon. I love these personalized neon signs by Penny Farthing Design House. The Australian studio handcrafts each sign in whatever word or colour you can think of. What an unexpected pop of happy created amid rustic or chic interiors…

(photographs via penny farthing design house and poppytalk)

My love for modern, typography-focused neon grows daily it seems. This once-of-a-kind neon sign by Adam Garcia is a perfect example of why. Oy, how I would love to put this wise and handsome gem on a studio wall…

(spotted on colossal)

I can’t imagine not living next to the ocean. An endless source of inspiration and natural beauty, oceans provide stunning colour palettes from dreamy persimmon sunsets to streaks of foggy lavender to layers of neon sailboats. I love this shot of Venezuela by photographer Sergio J. Padrón A because it highlights the many dimensions of water hues and how just a bit of colour pops against a textured blue canvas…

(photograph by sergio j. padrón a)

Square Colour Chip Boxes from Leif combine hue swatch with trinket holder. Crafted in Copenhagen out of coloured plexiglass and Danish wood, I like the sliding mechanism with a bar of wood remaining on the glass. Love the neon translucent glass and oak combinations most of all. Colour chip holder perhaps?

I saw Swedish designer Pernilla Jansson’s ‘A New Proposal’ for the first time yesterday and have completely fallen in love with it. Building on a desire to “disturb the established order”, Pernilla lets the standard office fluorescent light become a playful installation of beautiful neon. Simple and so very beautiful. I would love to see an office embrace this idea. One hanging over a reception desk or main studio table would certainly showcase a culture of breaking through the standard way of doing things…

(images via pernilla jansson and dezeen; spotted on rena tom’s pinterest)

One of my favourite things about colour is that stunning combinations often appear in the strangest places and an inspiring palette can truly be found anywhere. I recently came across this chart for washi tape and decided it made a perfect tropical colour palette with pastels, mid-tones and neons working seamlessly together in saturated summer brilliance…

(photograph via organdie)

We all know how ubiquitous neon, colour blocking and big florals have been lately. In fact, remixed and modernized 1980′s design don’t seem to be slowing down in any product category. In my post this week for Rena Tom’s site, I focused on four 80′s/90′s trends that are gaining steam and visibility: marble, brass, metallic colour and oxblood. I was inspired by an episode of The Golden Girls, an 1980′s classic full of design begging to be re-imagined and tranformed. Will these four trends become formidable in modern design/retail much like neon hues have? We will have to wait and see. On a side note,  I am loving how well oxblood mixes with different colours from cornflower blue to vivid magenta to soft pastels! If you fancy a read plump with images, take a look at my post here.

(photographs via neapolitan, mjolk, samma, apartment therapy, designworklife, american prom, opening ceremony, euro style lighting and kleidersachen)